Yaseen of the Palestinian-Lebanese rap duo I-Voice was accepted at the London University in Ontario, Canada to complete his studies in sound engineering. The visa was in the bag, but some cash was still required. So, since the scene here is so supportive, some friends and artists, led by Serge Yared, decided to pitch in and throw a fundraiser concert at Zico House. The lineup included: Zeid and the Wings (Zeid Hamdan’s latest project), I-Voice (themselves…), Malikah, OkyDoky, Double A the Preacherman, Ram6, and the most prestigious guest in my opinion, Rayess Bek.
-Before the Show: I’d like to dedicate this segment of the review to Ghalas Charara, expecting a swift glasses-shattering punch to the face afterwards.
They said it would start at 8:00 PM. Then to be ultra-specific, they said that it’s the DJing that would start at 8:00 PM, and the actual performances an hour later, 9:00 PM… on the dot? Doing this is like telling people: “If you don’t have anyone to mingle with, instead of showing up at 8:00 PM and wasting an hour staring at a wall, come at 9:00 PM, because that’s when the actual show starts”. Excuse me if I somehow misinterpreted this message.
8:45-ish: Arrive at Zico House. Pay fee of 20,000 L.L, which isn’t that bad, since it is a fundraiser after all. Expecting an eager crowd that has been busy socializing/ mingling/ chatting/ dancing for an hour now, I found a slightly less dense crowd. Ok, so low turnout is a big deal in this case. I mean, every person (and his/ her money) counts. But it was delayed by about… an hour. I have a statement to make later concerning this. Throughout this hour, I made up for my lack of mingling and socializing with whoever I knew…
A little debate was started on the infamous PirateBeirut, which is actually starting to dry up on material to upload for the moment (that’s right, beotch). Rayess Bek is definitely against. And also, I do not aim to promote it, only raise awareness of its despicable deeds.
There was also a strong media presence. Yaseen himself was interviewed as well as Kinda Hassan of Eka3, who had a table of their CDs available for purchase set up outside.
EVENTUALLY, the performances started.
-The Show: I liked the space this time. Usually, Zico House has had a either stage set up or a table for the turntables and CDJ decks.This time however, nothing, just beautiful empty space. First up was Zeid and his new band, The Wings, which consisted of himself on lead guitar, Marc Codsi (of Lumi) on rhythm guitar, Bachir Saade on nay, flute, and bass clarinet, Yasmine Ayyashi and Gihan El Hage on backing vocals, and Rita Okais on keyboard. The drums and bass were provided by a CD being played on one of the CDJ decks. They started out with a song called “Hkini” which has a very “deserty”-type sound. That of course, coupled with Zeid’s electro-dub style. It was actually their only song in Arabic. Zeid’s voice melted together with the voices of Yasmine and Gihan. Bachir’s flute playing was kinda neat, because I don’t think I’ve seen flute playing live that many times. Rita added minimal tunes on the little keyboard before her. Marc just supported Zeid on guitar. Not Lumi, I still want to see them someday. Following it was a song called “Cowards”. This one was in fact written for one of his previous bands, 3arab. A very good ska-punk piece originally, now with a hint of electronica. They continued with a more political number called “General Suleyman”. Zeid wanted some audience participation. Yes, there were enough people for it to count as an “audience”. He asked for a clap-along and for them to yell “go home” in response to various undesirable things mentioned in the lyrics of the song (ex. All the militiamen, etc..) They did indeed participate… To wrap up, they played Zeid’s own song “Castles of Sand”, a song about broken dreams. Bachir was on the bass clarinet for this one, which was quite interesting. I’d like to note that there were some technical difficulties with a microphone at one point… Is there never anything that goes off without a hitch in this city? 😛
Following them was the guest of honor, Rayess Bek, who is playing several shows this week in three different locations in Hamra. Tonight, he would not have with him his flutist Nayssam Jalal from his band the Rayess Bek Orchestra and his groovebox, instead, a CD of instrumentals. He opened his set with a blast from the past, “Am Behki Bil Soukout”, the title track from his debut album. It was nice, especially because it gave us something to compare what was about to come next to; Before/after. He continued with a new one: “La Min?” As I’ve said once before, the beats on the new album are some of Rayess Bek’s best work yet, and back to the live show, a very nice delivery as well. He continued with another new one, and a personal favorite of mine, which would be “Samm”. Again, very powerful delivery. Finally came “Schizophrenia”, another oldie, but not as old as “Am Behki Bil Soukout”. This one is a more emotional and intimate one. For a portion of it, he sat down on the floor, becoming level with some of the audience members, making his storytelling more personal. With that, he concluded his set… or did he? RGB grabbed a mic and began beatboxing while Rayess Bek rapped the lyrics to his song “Amercaineh”. That doesn’t happen daily; very neat. I was glad to finally see Rayess Bek rapping live, but wasn’t too thrilled about the fact that the music was pre-recorded. Good news though, you and I may see him and his full band, the Rayess Bek Orchestra perform live for the official physical release of his album, on June 6th.
Afterwards was someone I had wanted to see but had never got the chance before. It was electronic musician Faysal Bibi, who performs under the alias, OkyDoky. I wanted to see him because I heard some of his work on the CD distributed at 7keeleh Vol.1, and thought it was pretty remarkable. I was also curious to see how the “pros” did electronic music. His setup consisted of a laptop, a program running on it, and to interact with that program, various MIDI controllers. He started out with a very techno-y bit. Noteworthy was his use of voice alteration software to “robotize” his own voice (vocoder?) Following that was a piece that sounded like a fusion of drum n’bass and noise, and featured a memorable looped sample of a man yelling “shou ya’akho l’sharmouta?”. He wrapped up with a piece that sounded like “electronic death metal”, with distorted guitar samples and death growls and everything. The guy was very lively too. Overall, it was certainly something special and he’s been added to my list of “newcomers to the scene who are awesome”.
I only managed to catch a bit of Ram6’s performance, but I had to leave because SOMEONE didn’t show up on time. By “someone” I mean “everyone”… well 70% of everyone.
Let me tell you exactly what happened that night. It’s a phenomenon I will call “Confitardiness”. Confitardiness, a portmanteau of the words “confidence” and “tardiness”, is when one is deliberately late, or tardy, with the knowledge, and confidence, in the fact that no activity whatsoever will go on while he/she is absent. Somehow, on this night, everyone got together before the show and agreed to display some confitardiness, by not arriving on time. Unfortunately, they usually get their way, but if I ever work on some musical project and have to do a live show, I will make them like bullets. You blink you miss it. It might be an utter crap performance, but by God, you would not have caught that utter crap of a performance from the start.
One time someone said concerning this issue: “Hey, it’s Lebanon”. Well… why can’t we take an initiative and change Lebanon for the best? Late-ic Pride! Go!
-After the Show: I dunno what happened with the rest of the acts that were supposed to perform afterwards. The acts were diverse, the sound was good, but the time management could have been better, and that was a direct effect of low turnout for some inexplicable reason. Actually it is explicable: confitardiness.
The whole thing made 3,509$ and hopefully the future fundraiser event to come will work out better.